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Imagining the Audience: A two-day seminar in Stockholm
By Shama Khanna"Imagining the Audience" at Bio Rio, Stockholm, SwedenWith recent debates around post-human, object-oriented and systems based practices which emerged during dOCUMENTA (13) still...
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After Hurricane Sandy
By Dan FoxPerspectives can change fast. My working week on Monday 29 October began answering emails and editing an article for this magazine. The morning was unusual only in that I was working from...
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Fassbinder (An Essay in Thirteen Scenes)
By Charlie FoxIngrid Caven watches Fassbinder on television, 'In a Year With 13 Moons' (1978)1. Rainer Werner Fassbinder knew the magical power of the list, which makes order out of chaos. Five years...
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Post-Sandy: Relief Organizations and Resources
By Dan FoxHurricane Sandy is gone, but help is still needed. Communities are still without power, and authorities estimate that thousands are homeless. The following list details charities, grass-roots...
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When Art Speaks: A Report from the Two-Day Performance Event ‘I Proclaim, You...
By Vivian ZiherlSarah Pierce, 'Campus', 2011/2012, Performance at Stroom Den HaagProtest chants enter and encompass the body; they insist upon the total presence of persons. Transposing the public...
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Postcard from the 14th Rio International Film Festival
By Ela BittencourtCarlos Reygadas, 'Post Tenebrus Lux' (Light after Darkness), 2012The 14th Rio International Film Festival, the largest in Latin America, chose as its official seat this year a...
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Holy Motors
By Tom von Logue NewthLeos Carax, 'Holy Motors' (2012)There are not many poets left in the cinema. Perhaps the poet is always something of a throwback, a reminder of former glories. ‘Now I feel I make...
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Afghanistan: A War Artist’s Blog
By Derek Eland‘Diary Room’, Patrol Base Kalang, Afghanistan (all images 2011)When I was first given the chance to become a war artist in Afghanistan it was a question of how to bring a new perspective...
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The Photojournalism Revolt
By Luisa GrigolettoAll images Giorgio Di Noto, 'The Arab Revolt', 2012Thirty framed sepia-toned Polaroids form a continuous flow on the walls of the tiny Roman photography gallery Senza Titolo. The...
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Qalandiya International
By Jennifer HiggieObjects by Khaled Jarrar made from concrete dust taken from the Israel West Bank Barrier for 'Disarming Design' A few weeks ago, I travelled to Ramallah to attend Qalandiya...
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A Cathode Ray Séance
By Dan FoxPoster for "A Cathode Ray Séance', designed by Rob Carmichael (2012)Walking home from dinner in New York’s East Village the other night I heard the approaching throaty drone of a low-flying...
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A Cathode Ray Séance
By Dan FoxPoster for "A Cathode Ray Séance', designed by Rob Carmichael (2012)Walking home from dinner in New York’s East Village the other night I heard the approaching throaty drone of a low-flying...
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Interview: William Basinski
By Hermione HobyIn the summer of 2001, William Basinski found a Tupperware box of tape loops that he’d made almost a decade earlier. As he set about transferring them to CD, the American composer...
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Postcard from Seoul
By Cristina RicuperoMi-Kyung Lee, 'Fence', 2012. Installation view of the Missulsang Prize exhibition at the Atelier Hermes, Seoul, South KoreaThis autumn was definitely high season in South Korea, as...
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Postcard from Seoul
By Cristina RicuperoMi-Kyung Lee, 'Fence', 2012. Installation view of the Missulsang Prize exhibition at the Atelier Hermes, Seoul, South KoreaThis autumn was definitely high season in South Korea, as...
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Oscar Niemeyer: 1907–2012
By Oscar Niemeyer in front of his Niterói Contemporary Art Museum, Rio de Janeiro1907 is the year before Adolf Loos wrote Ornament & Crime, two years before Marinetti wrote the Futurist Manifesto,...
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Oscar Niemeyer: 1907–2012
By Jörg HeiserOscar Niemeyer in front of his Niterói Contemporary Art Museum, Rio de Janeiro1907 is the year before Adolf Loos wrote Ornament & Crime, two years before Marinetti wrote the Futurist...
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Defining the Biennial: Postcard from the World Biennale Forum No. 1
By Harriet ThorpeThe World Biennale Forum No. 1 in Gwangju, South KoreaThis October, the World Biennial Forum No.1, titled ‘Shifting Gravity’ and co-directed by Hou Hanru and Ute Meta Bauer, took place...
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Postcard from Lausanne: Les Urbaines 2012
By Ellen Mara De WachterOctagon Court performing as part of 'The Universal', 2012 by Berry Patten. Espace Arlaud, Lausanne. Photo by Nelly RodriguezOn a Sunday evening in December, in a snowy Swiss...
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13th Venice Architecture Biennale
By Jonathan P WattsInevitably, some critic or other, whether writing about Venice’s art or architecture biennales, ‘reveals’ the enterprise’s imperial trappings. Among reading I took for the journey to...
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