Highlights 2014 – Quinn Latimer
By Quinn LatimerPainting by Etel Adnan, used on the cover of To Look At the Sea Is To Become What One Is: An Etel Adnan Reader, (2014) edited by Thom Donovan and Brandon ShimodaIn December, while the...
View ArticleHighlights 2014 – Barbara Casavecchia
By Barbara CasavecchiaHarun Farocki, Inextinguishable Fire (1969). © Harun Farocki Filmproduktion, Berlin ‘If we show you napalm burns you’ll close your eyes. First you’ll close your eyes to the...
View ArticleHighlights 2014: Jennifer Higgie
By Jennifer HiggieKerry James Marshall, Believed to be a portrait of David Walker (Circa 1830), 200912 months is 525949 minutes, which sounds both like a very long time and nothing at all. In a year in...
View ArticleHighlights 2014 – Sarah McCrory
By Sarah McCroryCosima von Bonin, 'Hermit Crab in Fake Royère', 2010, mixed media, dimensions variable. Courtesy: Magasin 3, Stockholm Konsthall, and MUMOK, ViennaHighlights of 2014, in a particular...
View ArticleHighlights 2014 – Jörg Heiser
By Jörg HeiserMargaret Harrison, Take One Lemon, 1971, Lithograph on paperThe year 2014 feels fragmented and torn by culminating conflicts, war atrocities and political disasters connected to names of...
View ArticleHighlights 2014 - Nick Aikens
By Nick AikensAdelita Husni-Bey, Postcards from the Desert Island, (2010–11), included in 'Really Useful Knowledge’, Museo Nacional Centro de Arte Reina Sofía, Madrid; courtesy: Kaddist Art Foundation...
View ArticleHighlights 2014: Fatima Hellberg
By Fatima HellbergAndrea Fraser, Men On the Line: Men Committed to Feminism, KPFK, 1972, 2012, documentation of a performance at Volksbühne, Berlin, 2014Hurry. Resemble your mother. Dismantle...
View ArticleHighlights 2014 – Kirsty Bell
By Kirsty BellMark Leckey at WIELS, Brussels, installation shot.A condensed list of highlights in the form of an old-fashioned top ten (almost).~ Mark Leckey’s Lending Enchantment to Vulgar Materials...
View ArticleHighlights 2014: Shanay Jhaveri
By Shanay JhaveriRaghubir Singh, Grand Trunk Road, Durgapur, West Bengal, 1988, photographic print. © Succession Raghubir Singh‘Last Night a line appeared, Unbidden, unsigned: It has eight memorable...
View ArticleHighlights 2014 – Erik Morse
By Erik MorseExterior of the Hotel Carlton Palace, Paris, where Hans Ulrich Obrist staged his 1993 exhibition 'Hotel Carlton Palace, Chambre 763'Art Check-in time was set for 2014. Were I compelled to...
View ArticleHighlights 2014 – Ela Bittencourt
By Ela BittencourtWhite Shadow (Noaz Deshe, 2013, 2014 release)2014 was a great year for cinephiles. The one regret I have is not having seen Jean-Luc Godard’s Goodbye to Language (2014) in 3D, a film...
View Article2014 Highlights – Nina Power
By Nina PowerMarta Popivoda, Yugoslavia, How Ideology Moved Our Collective Body (Serbia / France / Germany 2013, 62 min)2014 was a year of identifying and attempting to protect, politically and...
View ArticleHighlights 2014: Shanay Jhaveri
By Shanay JhaveriRaghubir Singh, Grand Trunk Road, Durgapur, West Bengal, 1988, photographic print. © Succession Raghubir Singh‘Last Night a line appeared, Unbidden, unsigned: It has eight memorable...
View ArticleHighlights 2014 – Amy Sherlock
By Amy SherlockHenri Matisse, 'The Parakeet and the Mermaid', 1952. © 2015 Succession H. Matisse / Artists Rights Society (ARS), New YorkOn the twelfth day of Christmas, a look back at some of the...
View ArticleHighlights 2014 – Sam Thorne
By Sam ThorneChristina Ramberg Waiting Lady, 1972Last spring I moved from London, where I’d been living for seven years, to St Ives. A mere 5½-hour train journey from the capital (or, if you’re...
View ArticleHighlights 2014 – Amy Sherlock
By Amy SherlockHenri Matisse, 'The Parakeet and the Mermaid', 1952. © 2015 Succession H. Matisse / Artists Rights Society (ARS), New YorkOn the twelfth day of Christmas, a look back at some of the...
View ArticleHighlights 2014: Morgan Quaintance
By Morgan QuaintanceSimeon Barclay, Untitled, 2014No sooner had 2013 emptied our wallets and crept out the back door of time than 2014 burst through its front, iPhone in hand, posing for multiple...
View ArticleHighlights 2014 – Amy Sherlock
By Amy SherlockHenri Matisse, 'The Parakeet and the Mermaid', 1952. © 2015 Succession H. Matisse / Artists Rights Society (ARS), New YorkOn the twelfth day of Christmas, a look back at some of the...
View Article‘fig-2’ launches at the ICA, London
By Ellen Mara De WachterOpening of 'fig-2', ICA, London. All photographs: Sylvain Deleu‘What’s your innermost desire? What would you like to do, but haven’t had the chance to, because of your current...
View ArticleWhat We Talk About When We Talk About Charlie
By Jörg HeiserWhy we have to debunk, in the wake of the Paris attacks, the defensive reflexes, and the narcissist victim-blaming.It was only just last Wednesday that, on the evening of the day of the...
View Article